Monthly Archives: July 2023

Descending to South Fork After the Burn 

Wyoming, August 2012

Join me here on the trail, and let’s rest, press our hands against our knees to ease the straps of our packs until they feel young and limber enough to continue stepping down and down to South Fork’s meadows. Here, where green grass and timberline break to the burn’s mean edge, where heat split stone to sharp slabs, where the earth baked to dust and ash powdered fine, where trees twist in blackened fingers that claw for blue sky, and where the thick smell of smoke lingers. But also, do you hear within the char the stream’s sweet chime, see the slender shoots that will grow and green with time? Our big tree, halfway down the ridge’s breakneck slope, clings with roots half-singed to earth gone black and reaches with living, rising limbs towards clouds. Those flowers springing from dark soot echo sparks, their petals red, orange, vibrant now, after fire gorged and fled along the ridge until, rim-rocked, it turned back, consumed its own licking tongue, left blessed trees untouched to seed the flame-tilled ground for saplings yet to come.  

Nibbles and Strikes: A Meditation on Querying Literary Agents and Fishing

I am excited to share that in the last two weeks, I’ve received several requests from agents for the full manuscript of my novel! 

This means these agents are genuinely interested in my work. For the initial query, most agents ask for a query letter, which is a little like a cover letter for a job application, and a few sample pages. Most request five to ten pages or a chapter or two, though some ask only for the query letter. If they like these preliminary materials, they will ask for a “full” (the complete manuscript) or a “partial” (a longer portion of the manuscript, but not the full thing) so that they can further assess whether the writer and project are a good fit for them.

For me, perhaps the most challenging part about querying is that you often don’t receive any response at all to your initial query — agents receive such a high volume of submissions that they simply can’t respond to every one. Therefore, if you don’t hear anything after a certain amount of time (I’ve heard everything from two to six weeks), you can generally assume that the “no response” is a rejection. 

In my limited experience, most agents seem to prefer email correspondence to snail mail. So, I’ve been spending a lot of time the last few months sending emails and then…just waiting. It is an odd feeling to send out submissions and hear nothing back — I can get too into my head and start thinking, What if it didn’t really go through? Are these messages actually landing in an inbox somewhere? Have I waited long enough to assume a rejection?

Thus, getting responses from agents — any response — is pretty exciting. And getting interested responses is even better. Like my husband said, the process is sort of like fishing. If you’re casting over and over again and not getting any strikes, you begin to feel like there might not be any fish in the water at all. And then you start to wonder why on earth you’re waving your line all over the place. But if you get a nibble, even if it is only a little bump, the whole endeavor becomes much more exhilarating — There are fish in here! I’ve got the right fly on my line after all! 

Which is where I’m at right now with querying — I haven’t landed anything yet, but I know my query letter and sample pages are working. And so I’ll keep casting away, waiting for the big strike. Until then, I’ll also try to enjoy where I am. Admittedly, it is harder to find joy in the process of sending emails than in the act of fishing, but I do enjoy researching agents, learning about who they are and what sort of books and clients they represent and why they got into the business to begin with. My “to read” list has grown exponentially as I’ve perused client lists and encountered titles that spark my interest. It is wonderful to be immersed in the literary world this way. 

Perhaps that is the most important thing I’m learning from this part of the journey — often, standing on the bank of a beautiful river or lake and watching how the light fractures off the water, being out in the world with the sun and wind on your face, is the best reason to go fishing.